Studio Updates↘︎


THE FIGURe PAINTING SHOW at agitator GALLERY

“These eyes are windows (air-raid curtains)” will be shown at Agitator Gallery’s upcoming exhibition of figurative paintings. The Figure Painting will be a group exhibition featuring paintings made by artists living and working in-and-around the city of Chicago. An opening celebration will be held on Saturday, September 2nd from 6:00-10:00 PM at 3851 W. Fullerton Ave., Chicago, IL. A closing event will take place in the same location on Saturday, September 30th from 6:00-10:00 PM. Both events are free and open to the public. More information about the show can be found on Agitator Gallery’s website or Instagram page.

Our Choice Exhibition Catalogue

The exhibition catalogue for Our Choice is now available in paperback and PDF formats. All five original artworks that were created for Our Choice can be found on pages 17-18 of the catalogue, which was written by curator Virginia Mallon and published by ARC Gallery. The PDF version of the catalogue is available for free below.

Our Choice Show at arc gallery

Five new artworks, including one oil painting and four collages will be included in Our Choice-an exhibition of artwork protesting the overturn of Roe v. Wade. Opening celebrations and an artist talk will be held Friday, April 28th, 2023 from 5pm-8pm at Arc Gallery and Educational Foundation in Chicago. The show will be up until May 20th, 2023. It was curated by Virginia Mallon.

FOR MORE INFORMATION ABOUT THE GALLERY AND EXHIBITION

AUGUST GROUP ART SHOW AT JONES GALLERY

In Lieu of Testimony: No. 4 and Conflation (the mirage endures) were selected to be part of Jones Gallery’s August Group Show in the Crossroads District in Kansas City, Missouri. The show is open to the public beginning on August 3rd, and will remain on view until August 25th. The gallery is hosting a first Friday event on Friday, August 5th between 5pm and 9pm (the gallery is closed on Sundays). Both paintings are for sale through the gallery.

For more information about the gallery and exhibition

Jewish Authenticity and identity exhibition catalogue by ori z. Soltes

“A fragment of the artist’s family, or its totality, can stand in for any family, but so, too, this anonymous family (if that is what it is) can stand in for the artist’s family and for all families. “Freed from the burdens of authenticity, the ordinary past is transformed into a vernacular mythology. [The image] represents the intersections and contradictions between historic documentation, memory, and nostalgia… refer[ing] to both the tantalizing promise that emanates from lost treasures and the maddening reality that no matter what details survive from the past, they can only ever show us the ghosts of the glories and tragedies which preceded our own.” What is true of the artist’s engagement with human experience is exponentially true of the ghost-filled reality of the Jewish experience.”—Robert Bettman

To view the online exhibition

Published in conjunction with the Jewish Authenticity and Identity Exhibition, the catalog features the paintings that were shown at Adas Israel Congregation in Washington D.C. in 2021 (including my own!). Curator Ori Z. Soltes organized the show alongside Robert Bettman on behalf of Day Eight.

To learn more about Day Eight Books or to purchase the exhibition catalog

CONNECT RESIDENCY 2022 + Reception at Joplin Marley Studios

Selected to participate in the 2022 CONNECT Virtual Residency, alongside artists from Chicago and beyond. Sessions focus on helping emerging artists advance their studio and professional practices. A reception featuring work made during the residency will be held at Joplin Marley Studios on June 3rd, 2022.

Ekphrasis Magazine (Issue Two: Winter 2021)-Featured Artist

“Brittle Anchors” and “Postcards from Camelot” were both featured in the second issue of Ekphrasis Magazine, released in February of 2021. Ekphrasis is a literary magazine founded by Columbia University graduates to publish works at the intersection of visual and literary art. We hope to foster experimentation and conversation between artists in all disciplines, fields, and media within the pages of a single publication.

 

“In lieu of Testimony: No. 4” was awarded the alliance of the swope Award of Distinction by curator Louis Cox., it is featured alongside “Ado Among the Ruins” and other midwestern artworks at the Swope Art Museum in Terra Haute, Indiana. The show celebrates creativity across middle America.

The 76th Annual Wabash Valley Exhibition is open to the public until January 10th, 2021 ( local covid-19 regulations permitting).

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What do you feel is integral to the work of an artist? 

Curiosity. You don’t make any progress if you are unwilling to learn new things or change little parts of what you are doing. I am always asking new questions about my work, even when those lead me to make really bad art. The goal of art, in my mind, is to empower us and our audiences to investigate some aspect of the world around them.

What’s the best piece of artistic advice you’ve been given?

 

I have been lucky enough to have a lot of really fantastic, supportive teachers. Two things stand out, one is a quote by Chuck Close that turned up in a powerpoint in one of my college classes: “Inspiration is for amateurs, the rest of us just show up and get to work”. Basically that not every moment in the studio is driven by magic. Sometimes, art is work. The other really hit home during graduate school. An adjunct advisor (who has since become a huge sensation in LA) told me that he waited tables for ten years before getting his first real art job. And he told me that while that was frustrating, his lack of professional advancement didn’t keep him from persevering in the studio. The work drove him, and eventually he got the jobs and shows and press that he wanted. He really emphasised that it is totally valid to work retail, or be a bartender, or drive for Uber while you build your art career. If you are making work, and advancing in the studio, you have an art career.

Read the full interview here.

blog POST: Maker Spotlight- SHE MAKES CHICAGO

'‘RACHEL AHAVA ROSENFELD SHARES HER PAINTING ADO AMONG THE RUINS AND HOW THE OBSERVATION AND HISTORY BEHIND THIS WORK SPARKED A DEEPER CONNECTION FOR HER TO THE CITY AS A NEW RESIDENT OF CHICAGO.”

FULL TEXT CAN BE FOUND AT :


recent feature: Ladies Drawing club (Issue No. 3, part 2: collective memory)

digital full texts of parts 1 and 2 available from issuu

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