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Rachel Ahava Rosenfeld Studio

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  • Paintings
    • Recent Work
    • Commissions
    • Sketches
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    • MFA Thesis
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Past posts:

Featured
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Mar 9, 2021
MINI POST: Fluorescent Oil Paints in Review
Mar 9, 2021
Mar 9, 2021
DO THE READING #3
Dec 7, 2019
DO THE READING #3
Dec 7, 2019

If we accept Solnit’s definition of empathy, this active emotional connection and curiosity, then I wonder how it would feel to search through that metaphorical labyrinth only to find oneself alone. When we personify our heirlooms and keepsakes, we are acting out of desperation to achieve a sense of empathetic intimacy with an absent person. by picking up the things that they interacted with everyday, one can envelop themselves in the ruins left by their absent loved-one. They can smell the soap as they wash the kitchen sink, can wrap themselves in their coats, and go for walks on the same sidewalks. After all of that is gone, they are left to scour the snapshots and the outdated documents for any traces of that unknowable life.

Dec 7, 2019
DO THE READING #2
Aug 3, 2019
DO THE READING #2
Aug 3, 2019

FEATURED TEXT: “How Frames Define our Perception of Art” by Andrew Graham Dixon for Christies

Fixating on enlarged fragtments isolated from the geographies of the “pictorial machine” leaves viewers oblivious to the richness they might have gleaned from the uninterrupted whole.

FEATURED RESOURCE: Chicago Public Libraries

Plus…new work!

Aug 3, 2019
DO THE READING-A new blog project
Jun 23, 2019
DO THE READING-A new blog project
Jun 23, 2019

Research is a vital aspect of my studio practice. Almost every session in front of the easel is punctuated by forays into the jungle of the online art world. Strangely, the most fruitful finds are often only tangentially related to the original query. Once a week, I plan to post a couple of these web-based gems. Hopefully, my fellow creatives will see their utility (or at least use them to locate new and exciting rabbit-holes to chase).

Jun 23, 2019

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MINI POST: Fluorescent Oil Paints in Review

March 09, 2021
Detail of Fingertips (Or close enough as makes no difference): The majority of this painting rejects the limited range of colors represented in the 1990’s-era photograph on which it is based. The flourescent “collar” around the set of hands at the t…

Detail of Fingertips (Or close enough as makes no difference): The majority of this painting rejects the limited range of colors represented in the 1990’s-era photograph on which it is based. The flourescent “collar” around the set of hands at the top right corner alerts the viewer to a disruption-in this case a pair of hands from another source reaching towards the central figures.

Fluorescent colors appear more intense than conventional colors because they utilize a larger portion of the visible color spectrum, while also operating at lower wavelengths. While most pigments can reflect 90% of the color in the spectrum, fluorescent pigments are capable of reflecting 200-300%. The first fluorescent paints were developed by the founders of DayGlo for use in advertising displays. Makers of acrylic paints and gouaches often include fluorescent colors in their offerings, but fluorescent oils are far less common.

I began hunting for fluorescent oils three years ago, when I realized that they were uniquely capable of disrupting the dusky color schemes that dominated my photo-based paintings. At the time, Holbein’s Duo AquaOil line was my only option. More recently, a new brand called Gapka released a series of more traditional fluorescent oil colors. Langridge also offers a limited number of “video” and “neon” paints for sale only in Australia, New Zealand, and the United Kingdom.

Gapka offers traditional fluorescent oil paints in the following colors: Neon Pink, Neon Yellow, Neon Fire Orange, Neon Green, Neon Magenta and Neon Orange. Each 40 mL tube costs $20.00, and their neon sample set (which they generously sent me for f…

Gapka offers traditional fluorescent oil paints in the following colors: Neon Pink, Neon Yellow, Neon Fire Orange, Neon Green, Neon Magenta and Neon Orange. Each 40 mL tube costs $20.00, and their neon sample set (which they generously sent me for free) costs $15.00. Their impeccable customer service is free.

Holbein offers fluorescent water-soluble oils in the following colors: Luminous Opera (a fluorescent pink), Luminous Lemon, Luminous Orange, Luminous Green and Luminous Violet. Each 40 mL tube is available from Blick for $15.63.

Holbein offers fluorescent water-soluble oils in the following colors: Luminous Opera (a fluorescent pink), Luminous Lemon, Luminous Orange, Luminous Green and Luminous Violet. Each 40 mL tube is available from Blick for $15.63.

Langridge offers traditional  fluorescent oils in the following colors: Brilliant Yellow, Neon Orange, Brilliant Pink, Neon Violet, Brilliant Magenta, Video Blue, Brilliant Blue, Brilliant Green and Video Green. Each 40 mL tube is available from St.…

Langridge offers traditional fluorescent oils in the following colors: Brilliant Yellow, Neon Orange, Brilliant Pink, Neon Violet, Brilliant Magenta, Video Blue, Brilliant Blue, Brilliant Green and Video Green. Each 40 mL tube is available from St. Luke’s Artist Coulourmen, and ranges in price from $11.95 (USD)-$44.00 (USD).

Colorful Heart Candies and Polaroid Personal Valentine's Day Photo Poster.jpg

I have found that Gapka’s line of traditional neon oil paints is superior to Holbein’s water-soluble offerings for a number of reasons. Gapka paints often feature a loose texture, but their pigments are much more potent than the Holbein pigments. Straight out of the tube, both Holbein and Gapka fluorescents are highly transparent. When mixed with conventional colors, Gapka neons amplified brilliance and elevated the given mixture’s luminosity. One would need to use a greater proportion of a given Holbein paint to achieve the same effect. The transparent quality of both Holbein “luminous” colors and Gapka “Neon” colors requires that they be mixed with a pale, opaque paint to achieve a useful fluorescent hue. Again, Gapka’s Neons far outstripped Holbine’s Luminous colors. When mixed with Utrecht Flemish White or Gamblin Titanium White, The Gapka neon pigments generated an electrifying, brilliant range of hues distinct from even the brightest conventional colors.

The ongoing introduction of fluorescent pigments onto oil -based palettes proves that oil painters are still pushing the boundaries, and expanding our horizons.

For more information, check out the following resources:

Gapka
DayGlo
Holbein
Langridge
DO THE READING #3 →
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EMAIL: rachelahava01@gmail.com